Well, the book proceeds apace. I have a usable basic framework of around 10,000 words. With that I think I have something like a "narrative arc" that will come together as a coherent whole. I have to flesh it out with some background, settings, and a few side trips that will probably fall out of the outstanding balance of the interviews that I have yet to conduct
One thing that I've noticed about my approach to date; I'm missing about half of the story. I've been heading down the path of focusing too much on the bad things that happened, and not the good things that were supposed to happen. I need one good story that coincides with the bad one and I think I'll have some symmetry and balance.
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